28 Brighid / Feb. 19
Lunadi or Moon Day. (Monday).
Day of Madria Candra.
To our friends and devotees,
Sorry, this article may be rather clumsily constructed, as I am still so excited by this news.
It is in 2 sections. Section 1 is the most recent find by ArchMadria Candra Sophia. The connection between primordial pre-patriarchal Sophia and prehistoric Eurynome (pronounced euren AW mee) meaning “Wide-Ruling” and why this is so significant to the Déanic Order of Kore Di-Jana a.k.a. Janites.
Section 2 is background information for those unfamiliar with the Pelasgian first nation peoples of the Aegean Sea region in Europe and the Creation Myth of Eurynome which includes the Seven Planetary Powers. This is yet another patriarchal demotion of the Divine Feminine. Credited with thanks to ArchMatrona Ghrian of the Lucienne tradition
May Déa as Matrix & Creatrix, Genetrix and Soteria ever be centring us in Her,
Pre Patriarchal Sophia as a True Universal Goddess
Sophia is a pre-Greek goddess, and also a Christian goddess, which goes to show that She is truly a Universal Goddess. Bridgid, Herself, is both a Pagan Goddess and one of the most important Christian saints in the Catholic Church.
A Church, that we must admit, is worldwide. So She, who was once a Primary Celtic goddess, became a worldwide saint.
Therefore, Bridgid is also a True Universal Goddess because She, like Sophia, is revered in both the Pagan and Christian worlds.
In my personal opinion, perhaps this renders Bridgid and Sophia as two of the most Universal Forms of Dea on Earth. 
Déanic Myth of Creation
We view the Myth of Creation and the Myth of the Divine Maid/ Daughter as sacred, inspiring stories which use various sources to speak of a perennial Mystery. The scriptures are based, in part, upon the Pelasgian Mythos, the Myth of Persephone and Demeter, the Christian Mysteries and the Passion mythos of Inanna, although I think most would agree that the goddess of sex and war is not a suitable Image/Form for the Most Pure Holy Daughter. These mythos were never meant to be taken literally. Rather, they are human stories which speak of a Sacred Cosmic Drama which takes place out of time. 
Pre Patriarchal Sophia as Celestial Mother Genetrix of ALL & Soteria Holy Daughter
This is such a revelatory article, uncovering “the original blueprint” / pre-patriarchal Sophia similarities to Eurynome. Pre-patriarchal Sophia who is the basis of the Sophia Déanic Order of Kore Di-Jana a.k.a. Janites as Holy Daughter. She is also confirmed in a pagan context as Eurynome – Celestial Mother Genetrix of ALL creation. [3a] Including the Seven Great Janae – the Supernal Genetrixes, Guardians or Wellsprings of the Seven Streams of Life or Virtue. They are the Seven Faces/Powers/Spirits of Dea, Our Divine Mother God, in rarefied angelic light form. [3b]
As ArchMadria Candra Sophia stated “I can’t begin to explain how reading this has unified the Christian Goddess in whom I strongly believe, with the very Goddess [Eurynome] whose myth underlies the foundation of Filianism. Like the floor safe built into the foundation.”
Do read the whole article, only an extract is reproduced here.
The Pagan Origins of the Gnostic Sophia
by Miguel Conner | Jul 26, 2016
“The Primordial Sophia
The original blueprint for the Gnostic Sophia is located in one of the earliest creation stories (older even than Genesis): The Pelasgian Creation Myth.
In this narrative, a divine being named Eurynome descends from the void and fashions the cosmos from the chaos. Creation is ushered by her dance upon the primordial waters, resulting in the formation of the planets, stars and elements into actuality. She also conceives a godlike serpent named Ophion. Eurynome and Ophion engage in a second, more seductive dance that ends in copulation. She then transforms into a dove and hovers over the sea, eventually laying a massive egg. Ophion coils around the egg seven times until it is hatched and all living creatures come forth. Eurynome sets a male and female Titan to overlook each heaven.
Eurynome and Ophion rule over creation in harmony, until the serpent claims he is the sole supreme being of the universe. This causes Eurynome to wage war against Ophion and ultimately banish him into the depths of the earth. In the end, she finds herself alone atop of the cosmos, yearning for another like her to keep her company.
At first glance, the Pelasgian Creation Myth appears like another dramatic, Greek account of how reality came to be. However, a deeper look reveals a proto-Sophia in the character of Eurynome:
► Sophia is cast into the chaos from an undivided nothingness (The Secret Book of John, On the Origin of the World). The Gnostic Valentinians referred to the fundamental principles of consciousness, the primaeval Father and Mother, as Bythos and Sege (Abyss and Silence in Greek). They represented a state of ultimate, undivided existence, similar to where Eurynome originated from.
► Sophia is responsible for the conception of matter (The Valentinian Cosmology, The Secret Book of John). Like Eurynome, she moves back and forth over the primordial waters, as well as gives birth to a serpent-like monster (Sophia’s offspring was called Yaldabaoth, often associated with the Old Testament God).
► Sophia is symbolized as a dove in Gnosticism. The Acts of Thomas proclaims, “Come, she that manifests the hidden things and makes the unspeakable things plain, the holy dove.” As her aspect of Wisdom/Shekinah in the Old Testament, Sophia is referred to as a dove (Song of Solomon 1:15, Song of Solomon 5:2). The symbol would be later adopted by Christianity in the form of the Holy Spirit, although both the Shekinah and Sophia were also recognized as the Holy Spirit.
► Sophia’s offspring rebels against her, claiming to be the only Supreme Being (The Secret Book of John, The Hypostasis of the Archons). The Hypostasis of the Archons relates how Yaldabaoth “because of his power and his ignorance and is arrogance he said, with his power, ‘It is I who am God; there is none apart from me.’ When he said this, he sinned against the entirety.” In The Pelasgian Creation Myth, the serpent Ophion “vexed Eurynome by claiming to be the author of the Universe.”
► In her higher avatar of Barbelo, Sophia assigns a male and female pair of Aeons to each of the layers of the mind of God (The Secret Book of John). Eurynome does the same, albeit with Titans ruling over the planetary spheres.
► In virtually all Gnostic texts, Sophia finds herself yearning for another like her once she lingers in the manifest Unlike the open-ended story of Eurynome, Jesus Christ comes to her like a saving knight or lost friend.
It should be noted that The Pelasgian Creation Myth is also a foundation for the Book of Genesis. Eurynome is responsible for naming all the creatures of Earth, as was Adam. The serpent in both myths plays the antagonist role (however, the serpent is often associated with wisdom goddesses in Paganism, and is frequently a positive figure in Gnosticism). During the conflict between Eurynome and Ophion, she “bruised his head with her heel.” In Genesis 3:15, the seed of Eve is prophesized to bruise the head the serpent with her heel, which has been taken as the coming of Jesus Christ to redeem the world from Satan.”
 ArchMadria Candra Sophia
[3a] Madrina Sophia
Who were the Pelasgians?
The Histories of Herodotus is considered one of the seminal works of history in Western literature. Written from the 450s to the 420s BC in the Ionic dialect of classical Greek. The Histories were at some point divided into the nine books of modern editions.
The Cynurians and Achaeans were Pelasgians
Book 8 – URANIA
[8.73] Seven nations inhabit the Peloponnese. Two of them are aboriginal, and still continue in the regions where they dwelt at the first – to wit, the Arcadians and the Cynurians. A third, that of the Achaeans, has never left the Peloponnese, but has been dislodged from its own proper country, and inhabits a district which once belonged to others.
The Arcadians were Pelasgians
Book 2 – EUTERPE
[2.171] On this lake it is that the Egyptians represent by night his sufferings whose name I refrain from mentioning, and this representation they call their Mysteries. I know well the whole course of the proceedings in these ceremonies, but they shall not pass my lips. So too, with regard to the mysteries of Ceres, which the Greeks term “the Thesmophoria,” I know them, but I shall not mention them, except so far as may be done without impiety. The daughters of Danaus brought these rites from Egypt, and taught them to the Pelasgic women of the Peloponnese. Afterwards, when the inhabitants of the peninsula were driven from their homes by the Dorians, the rites perished. Only in Arcadia, where the natives remained and were not compelled to migrate, their observance continued. [4a]
Virgil (Aeneid, VIII, V. 62-63), writes:
“It is said that the first dwellers of our Italy were the Pelasgians”.
From the ancient authors we have learned that before the arrival of the Greeks, those territories were known as Pelasgia, the several sources inform to us moreover, than the Greeks learned from the Pelasgians not only the art of the working of the metals, of the construction of walls, but they learned, improving it, their way of writing and made their divinity their own.
Several populations, species the pelasgic one, have given to the country their name. [4b]
The name Pelasgians (Greek: Πελασγοί, Pelasgoí; singular: Πελασγός, Pelasgós) was used by some ancient Greek writers to refer to populations that were either the ancestors of the Greeks or preceded the Greeks in Greece, “a hold-all term for any ancient, primitive and presumably indigenous people in the Greek world”. In general, “Pelasgian” has come to mean more broadly all the indigenous inhabitants of the Aegean Sea region and their cultures before the advent of the Greek language.
In 1955, Robert Graves in his mythography The Greek Myths claims that the Pelasgian creation myth involves a singular creatrix goddess who dominates humans and predates other deities. The goddess gives birth to all things, fertilised not by any male opposite, but by symbolic seeds in the form of the wind, beans, or insects. [4c]
Comment by ArchMatrona Ghrian of the Lucienne tradition https://deamatronablog.wordpress.com : “In its original, matriarchal version, it was probably a beautiful story”.
Déanic Scriptural links to Eurynome
1. The Creation
1:1. Before and beyond all things is the Mistress of All Things, and when nothing was, She was. 2. And having no solid place that Her feet might rest upon, She divided the sea from the sky, and made a dance of solitary splendour upon the crested deeps.
2:1. But one there was that had not been shaped by Her, and that was not Her daughter, nor a creature of spirit. But this was the space between the fragments and the nothingness that had been before things were. It had not energy nor delight, but only weight. It had not shape, but could only coil and uncoil itself about the things that were. It was the Snake, and was not silver, but black. 2.
The Snake hated all things that had become, and hated the separation of the waters and the sky. It hated light and energy, desiring all to be darkness and nothingness.
2:15. But the Mistress of All Things saw this and descended to the earth, placing Her heel upon the head of the Snake and bruising it.
3:3. And She set Her seven Powers in the firmament, giving one to rule each colour of the earth.
The Mythos of the Divine Maid
1:1. When the first night had come upon the world, the Mistress of All Things stood alone once more, as She had in the beginning. 2. For a terrible abyss had opened to lie between the world and She, and Her creatures could not look upon Her brightness.
3. And She stood in contemplation upon the waters of the first darkness; like a great Dove upon the waters She brooded. 4. And She became absorbed within Her and communed with Her own Self; and Her light ceased to shine forth from Her, and yet Her light grew greater. 5. And She fell to Her knees. And the surface of the waters became turbulent, and the great waves curled over Her, and their white foam could not be seen in all that darkness.
6. And when the waters became calm again, the Mistress of All Things rose to Her feet. 7. For She had conceived a Daughter that was not separate from Her, but one with Her, and the child of Her Light.
(with thanks to the Madrian, independent Déanic & Filianic contributors and editor Mr Race MoChridhe)
The Filianic Scriptures, The Eastminster Critical Edition of the Clear Recital
Version: ECE 3rd Edition
Pelasgian Creation Myth – the earliest in Europe
Eurynome was easily the most important Goddess of Pelasgian myth. She was the Great Goddess, Mother, Creatrix, Ruler, called the Goddess of All Things.
Eurynome was born from Chaos, and her first work was to separate the water from the sky. When she had accomplished this, she began to dance across the water. It was a beautiful, sensual dance of creation. 
She assumed the form of a dove, brooding on the waves and, in due process of time, laid the Universal Egg. 
Out tumbled all things that exist, her children: sun, moon, planets, stars, the earth with its mountains and rivers, its trees, herbs, and living creatures. 
Easily adapted Paper Plate Creation for Déanic children
She created the Seven Planetary Powers, putting a Titaness and a Titan over each.
the Sun and the power of illumination;
Theia (meaning Lady of the shining blue of the sky, sight as in the all-seeing and precious value of gold, silver and gemstones)
and Hyperion (meaning watcher from above, light and the cycles of day and night, sun and moon)
the Moon and the power of enchantment;
Phoebe (meaning brilliance, prophetic wisdom at earth’s oracular midpoint – Delphi)
and Atlas (navigation, and the art of astronomy)
the planet Mars and the power of growth;
Dione (meaning Divine One and Oracle at Dodona) or Eurybia (bright goddess)
and Crius (leadership, heavenly constellations and domestic animals)
the planet Mercury and the power of wisdom;
Metis (wisdom, prudence and deep thought) or Mnemosyne (memory, learning and remembrance)
and Coeus (rational intelligence)
the planet Jupiter and the power of law;
Themis (meaning the Lady of good counsel, natural order, divine law, tradition, fairness, and the oracles of the earth)
and Eurymedon (meaning ruling far and wide)
the planet Venus and the power of love;
Tethys (meaning nurse and primal font of fresh water which nourishes the earth, springs, rivers, streams, fountains, subterranean aquifers, clouds and rain-clouds.)
and Oceanus (earth-encircling River Okeanos, he regulated the heavenly bodies which rose from and set into his waters.)
the planet Saturn with the power of peace;
and Rhea (meaning ground or flow, mistress of all, nature’s fertile mother, and lady of the wilds, dread goddess)
and Cronus (pure, maintains the course and cycles of seasons and the periods of time, time when viewed as a destructive, all-devouring force)
Patriarchal Demotion of the Divine Feminine
Myth version 2 introduces a male spouse
Catching the north wind at her back and rubbing it between her hands, she warms the pneuma and spontaneously generates the
serpent Ophion, who mates with her. 
Eurynome’s husband Ophion “the Serpent” & Eurynome wife of Ophion 
At her bidding, Ophion coiled seven times about this egg, until it hatched and split in two. Out tumbled all things that exist, her children: sun, moon, planets, stars, the earth with its mountains and rivers, its trees, herbs, and living creatures. 
Comment by ArchMatrona Ghrian of the Lucienne tradition https://deamatronablog.wordpress.com : Furthermore, instead of sitting on the Cosmic Egg herself, [like a normal, mother bird would do], Eurynome tells Ophion, the male snake, to wrap himself around it, [as snakes do their eggs] and warm it and hatch it.
Myth version 3
The male spouse attempts to usurp.
Eurynome and Ophion made their home upon Mount Olympus, where he vexed her by claiming to be the author of the Universe.
Forthwith she bruised his head with her heel, kicked out his teeth, and banished him to the dark caves below the earth. 
In the soil of Arcadia the Pelasgians spring up from Ophion’s teeth, scattered under the heel of Eurynome, who kicked the serpent from their home on Mount Olympus for his boast of having created all things. 
Her daughter and son banish their parents.
Pseudo-Apollodorus, Bibliotheca 1. 503 ff (trans. Aldrich) (Greek mythographer C2nd A.D.) :
“He [Orpheus] sang of . . . How, in the beginning, Ophion and Eurynome, daughter of Okeanos (Oceanus), governed the world from
snow-clad Olympos; how they were forcibly supplanted, Ophion by Kronos (Cronus), Eurynome by Rhea; of their fall into the waters
of Okeanos.” 
Comment by ArchMatrona Ghrian of the Lucienne tradition https://deamatronablog.wordpress.com : “And still later, another goddess by the same name, Eurynome, the Oceanide, ends up as one of the many wives of, Zeus, and the mother of the Graces.
Patriarchal redactors have rewritten all three stories about Eurynome: She is pictured as a female-failure in need of a male-savior, just like the Gnostic Sophia. Eurynome is portrayed as a failed wife [divorced and estranged from Ophion, the snake], failed Queen of Heaven, Creatrix and Mother of the Gods [because She is not powerful enough to punish, and banish Her ungrateful and rebellious children]. It is only later when She becomes the wife of Her grandson, the male god, i.e., Zeus, the Son of God, that she is redeemed and becomes the mother of the Graces.”
Myth 6 – A male Demon
Found whilst composing this article, male dominance cannot stoop any lower. Taking the Mother God and inverting Her Purity, Power and Divinity.
The Demon Eurynome from the illustrated The Dictionnaire Infernal by Jacques Auguste Simon Collin de Plancy, 1863 edition, which included sixty-nine illustrations by Louis Le Breton depicting the appearances of several of the demons. 
 Picture Credit. Korean Manwha artist named Hong Eun-Young. She designed beautiful manwha characters based on Ancient Greek and Roman mythology.
 The Greek Myths 1 by Robert Graves, (1990)  Penguin Books. ISBN 978-0-14-001026-8.
Do take a look at the following illustrations:
Project Made For
Ono Kine Artists
New York, NY, USA
Fairfield, CT, USA
Ono Kine Artists
New York, NY, USA